An
Excellent work. One of the best Malayalam movies to come out after the world said
Y2K and forgot that more than a decade has passed by since.
Jeyamohan
and Madhupal, take a bow. When is your next film releasing?
Ozhimuri is also
about separation. Of matriarchal and patriarchal systems. Of transitions and
transformations. Of systems, processes, procedures, and people. Of mundane and bitter-sweet lives lived among all these.
It
also raises valid observations and questions on the age-old theory of Nature
vs. Nurture. How your personality maybe defined by nurture but your behavior patterns
maybe defined by nature…
Childhood,
upbringing, selective memories all work together to create a child’s world and
his memories of parents and parenting. Judgments are based on our biases and
inclinations towards either one of our parents…
Why
do certain people act cruelly with their loved ones?
This movie does not give
us definite answers but surely provides a lot of food for thought. The movie
does not judge any of its characters and therein lies its greatest strength. It
shows pretty artistically and realistically how most of us are formed by circumstances
and other external factors. How we hardly choose who or what we become and how
we behave. But in spite of all that, love can always find a way to our hearts
though we may hardly know how to express it.
It
poetically shows how empathy is of extreme importance when it comes to any relationship;
how you may never be able to forgive and/or forget your parents, spouse,
children and their deeds but you can surely empathize with them. And empathy
comes only with understanding and openness. Comes with acceptance that your
memory, vision, judgment, stereotyping, labeling et al are limited in scope.
There is always some knowledge or some information that you may have missed…
while you label a person ever so consciously/subconsciously.
It
shows us how lifelong-held values and egos do not matter when death stares at
us closely. How forgiveness and self-defense mechanisms find their way in our
search for self-identity and that elusive treasure: peace of mind.
Watch
it for its outstanding performances (Lal and Shweta Menon deserve special
mentions) and its brilliant screenplay; also, watch yourself while you are at
it.
Yeah,
and do not judge the person, sitting at the aisle seat, dozing away to glory. Or,
the person who proclaims that Ozhimuri
was such a bore… Remember, they may have their reasons. Sometimes, reasons that
they themselves are not aware of.
It did. For me.
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